{"id":207,"date":"2023-10-06T23:50:54","date_gmt":"2023-10-06T23:50:54","guid":{"rendered":"https:\/\/latinelephant.org\/InhabitingSpaces\/?page_id=207"},"modified":"2024-12-12T20:40:31","modified_gmt":"2024-12-12T20:40:31","slug":"working-disobedience-from-latin-america","status":"publish","type":"page","link":"https:\/\/latinelephant.org\/InhabitingSpaces\/working-disobedience-from-latin-america\/","title":{"rendered":"WORKING DISOBEDIENCE FROM LATIN AMERICA"},"content":{"rendered":"\t\t
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WORKING DISOBEDIENCE FROM LATIN AMERICA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Timed to take place during February 2022, the first structure of\u00a0<\/span>Inhabiting Spaces <\/span><\/i>(link to this project)<\/span>,<\/span><\/i>\u00a0<\/span>\u2018<\/span><\/i>Working Disobedience from Latin America\u2019<\/i><\/b>,\u00a0<\/span><\/i>was an international encounter organised in collaboration with Working Disobedience Platform<\/span>. This involved online and offline conversations and performances, featuring 35 participants working on Latin-American art and cultures.\u00a0This part of the programme looked at contemporary art practices and colonialism, anti-colonialism and decolonialism in Latin America, focusing on the different forms that power takes in the region.<\/span><\/p>

The sessions highlighted ways to activate a de\/anticolonial practice in Latin America and invited participants and audiences to think about how to dislocate power relations within the art system and how to propose new power dynamics for an extended art field.<\/span><\/p>

One of the highlights of the series was the panel discussion titled\u00a0<\/span>Decolonial Perspectives on Exhibition-Making, Heritage and Material Cultures\u00a0<\/span><\/i>which took place on the 23rd of February at Gasworks, London. Special guests focused on the politics of display, heritage and material cultures, in order to interrogate the future role and place for art within institutions.<\/span><\/p>

The full programme of\u00a0\u2018<\/strong><\/span>Working Disobedience from Latin America<\/i>\u2019 is available here.<\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Strategies for disobedience. Languages, practices and situated thought.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Estrategias de las desobediencias. Lenguajes, pr\u00e1cticas y pensamiento situado<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Joaqui\u0301n Barriendos (Me\u0301xico), Luisa Villegas Gutie\u0301rrez (Me\u0301xico), Mo\u0301nica Amieva (Colombia)<\/strong><\/span><\/h4>\n<\/div>\n<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Latin American artistic practices and their place in relation to the discussion on anti- and de-colonialism has distinct nuances, which evinces the tensions, gaps, and challenges to reflect critically on the problems of the present. The use and overuse of terms face us with a highly complex scenario in which the question of how to talk from and about situated activity acquires relevance. At this table, some of the questions discussed were: what is the place of visuality and aesthetics in decolonial studies? how do we imagine from the complexities and crises of the present? how does interest in thinking about disobedience in art scenes emerge? and what is the critical place of unlearning and disobedient practices to rethink, rewrite, and feel stories?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Las pr\u00e1cticas art\u00edsticas latinoamericanas y su lugar en relaci\u00f3n con la discusi\u00f3n sobre el anti\/decolonialismo tiene distintos matices, que hacen evidente las tensiones, vac\u00edos y desaf\u00edos para reflexionar cr\u00edticamente sobre los problemas del presente. El uso y sobreuso de los t\u00e9rminos nos enfrenta a un escenario cargado de complejidades, en el cual la pregunta por c\u00f3mo hablar sobre y desde quehaceres situados adquiere relevancia. En esta mesa, algunas de las preguntas que se discutieron fueron \u00bfcu\u00e1l es el lugar de la visualidad y la est\u00e9tica en los estudios decoloniales?, \u00bfc\u00f3mo imaginar desde las complejidades y crisis del presente?, \u00bfc\u00f3mo emerge el inter\u00e9s por pensar sobre las desobediencias en las escenas del arte? y \u00bfcu\u00e1l es el lugar cr\u00edtico del desaprender y de las pr\u00e1cticas desobedientes para repensar, reescribir y sentir las historias?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Practices for the construction of collective imaginaries<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pr\u00e1cticas para la Construcci\u00f3n de Imaginarios Colectivos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\n\nMirtes C. Marins de Oliveira (Brasil), Comunidad Catrileo+Carrio\u0301n (Chile), Julio Gonza\u0301lez (Peru\u0301)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The idea of participating, belonging, and being in collectivity is central to discussions about current and future conditions, especially in contexts of health, environmental, and political crises. Investigating and questioning the place of collaborative and communal artistic practices as generators of individual and collective imaginaries, and their poetics as possibilities for resistance are the central points of this discussion, which addresses the methodologies that make observing the legacies and persistence of colonial violence possible, how to open and create spaces for political and artistic experimentation from Latin America, and the need to question the scope of language in creation and research.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tLa idea de participar, pertenecer, y estar en colectividad es central en las discusiones sobre las condiciones actuales y el futuro, especialmente en contextos de crisis sanitarias, medioambientales, y pol\u00edticas. Indagar y cuestionar el lugar de las pr\u00e1cticas art\u00edsticas colaborativas y comunitarias como generadoras de imaginarios, individuales y colectivos, y sus po\u00e9ticas como posibilidades de resistencia son los ejes de esta discusi\u00f3n, que aborda las metodolog\u00edas que hacen posible observar los legados y la persistencia de las violencias coloniales, c\u00f3mo abrir y crear espacios de experimentaci\u00f3n pol\u00edtica\ny art\u00edstica desde Latinoamericana, y la necesidad de cuestionar los alcances del lenguaje en la creaci\u00f3n e investigaci\u00f3n.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Interpellations to art from Latin America <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Interpelaciones al Arte desde Latinoam\u00e9rica<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSergio Rojas (Chile), Claudia Coca (Peru), Yauri Humberto Muenala Vega (Ecuador) y Paulina On\u0303a (Bolivia)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The limits of the concept of art, in the Western sense, were questioned in this conversation, and the possibilities of de-centering, questioning, and re-signifying them from Latinamerica explored in depth. The dialog touched on topics such as the processes of decolonization, plurality, self-management, self-determination, witchcraft, cannibalism, and ancestral knowledge, as strategies to reconfigure what we understand as art, from Latinamerica.<\/span><\/strong><\/p>\n

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En esta conversaci\u00f3n se cuestionaron los l\u00edmites del concepto de arte, en el sentido occidental, profundizando en las posibilidades de descentrar, interpelar y resignificarlos desde Latinoam\u00e9rica. En la discusi\u00f3n, se tocaron temas como los procesos de descolonizaci\u00f3n, la pluralidad, la autogesti\u00f3n, la autodeterminaci\u00f3n, la brujer\u00eda, el canibalismo y los saberes ancestrales, como estrategias para reconfigurar desde Latinoam\u00e9rica lo que entendemos como arte.<\/span><\/p>

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Encounters as alterations and reconfigurations<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Los encuentros como alteraciones y reconfiguraciones<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Romeo Gongora (Canada\/ Guatemala), Anamari\u0301a Garzo\u0301n Mantilla (Ecuador), Milena Costa (Brazil)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The tensions and questions generated by the relationship between the local and the global run through different areas of practice and knowledge. How to dissolve distance to generate encounters is one of the questions that artistic theory\/practice has explored in different and diverse ways, adopting forms, methodologies, and strategies to question and think about the politics of the encounter and distance between cultures, knowledges, and endeavors.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Las tensiones y preguntas que genera la relaci\u00f3n entre lo local y lo global transitan por distintas \u00e1reas de las pr\u00e1cticas y los conocimientos. C\u00f3mo disolver la distancia y generar encuentros es una de las preguntas que la teor\u00eda\/pr\u00e1ctica art\u00edstica ha explorado de distintas y diversas maneras, adoptando formas, metodolog\u00edas y estrategias para interrogar y pensar las pol\u00edticas del encuentro y la distancia entre culturas, conocimientos y quehaceres.<\/span><\/p>




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Nature and power or how to imagine a different relationship<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Naturaleza y poder o como imaginar una relaci\u00f3n otra\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Agencia de Borde (Chile), Deborah Martin (United Kingdom), Gabriela Saldias (Bolivia), Valentina Montero (Chile)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Revisiting the link between nature and power is one of the challenges of the present, which was explored in this conversation from the arts and humanities, with a transdisciplinary approach. Through an exploration of the relationships between arts and activisms, environment, non-human life, nature, and technologies, the question of how to imagine other relationships will be examined.<\/span><\/span><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Revisar la vinculaci\u00f3n entre naturaleza y poder es uno de los desaf\u00edos del presente, que se explor\u00f3 en esta conversaci\u00f3n desde las artes y humanidades, con un enfoque transdisciplinar. Mediante una exploraci\u00f3n sobre las relaciones entre artes y activismos, medioambiente, vida no-humana, naturaleza y tecnolog\u00edas, la pregunta por c\u00f3mo imaginar relaciones otras ser\u00e1 examinada.<\/span><\/span><\/p>

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Gestures for altering narratives, stories, and ways of feeling-thinking<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gestos para alterar narrativas, historias y formas de sentir-pensar<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tJuan Jose\u0301 Santos (Spain), Dari\u0301o Darroche (Microutopi\u0301as, Uruguay), Valeria Paz Moscoso (Bolivia)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The borders imposed in our histories and narratives come from the exercise and action of power. In this conversation, we will delve into questions regarding how to alter understandings, how to create and put disruptive gestures into practice, and how to weave and work the arts as acts of protest in an attempt to disrupt the conditions of the present.<\/b><\/span><\/p>

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Los bordes que han sido impuestos en nuestras historias y narrativas provienen del ejercicio y accionar del poder. En esta conversaci\u00f3n, se profundizar\u00e1 en preguntas relacionadas con c\u00f3mo alterar concepciones, c\u00f3mo crear y poner en pr\u00e1cticas gestos disruptivos, c\u00f3mo tejer y trabajar las artes como protesta, en un intento por alterar las condiciones del presente.<\/span><\/p>

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Decolonial perspectives on exhibition- making, heritage and material cultures<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Perspectivas decoloniales sobre la realizaci\u00f3n de exposiciones, patrimonio y culturas materiales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Diego Chocano (Peru\u0301), Victoria Vargas Downing (Chile), Pamela Gomez (Bolivia)<\/b><\/p>

This conversation was held at Gasworks<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On the politics of display, heritage, and material cultures, in order to question the future role and place of art within institutions.

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\n\t\t\t\t\t\t\t\t\tSobre las pol\u00edticas de exhibici\u00f3n, el patrimonio y las culturas materiales, con el fin de interrogar el papel futuro y el lugar del arte en las instituciones.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Working within the borders<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Trabajar en los l\u00edmites<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Carla Garlanchi (Chile), Gulia Palladini (United Kingdom), Luis Alarco\u0301n and Ana Mari\u0301a Saavedra (Chile), Lily Hall (United Kingdom)<\/p>

This conversation was held at Tate Modern.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Current struggles demand going further and deeper into the problems and situations that led to them. But they also require discussing, sharing, and questioning the strategies and desires that move us to find ways to change our contexts. In this session, we discussed how to activate a disobedient practice as artists, curators, art directors, and scholars in an uncertain context.

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Las luchas actuales exigen ir m\u00e1s all\u00e1 y profundizar en los problemas y situaciones que las provocan. Pero tambi\u00e9n requieren discutir, compartir e interrogar las estrategias y deseos que nos mueven a encontrar formas de cambiar nuestros contextos. En esta sesi\u00f3n, discutimos c\u00f3mo activar una pr\u00e1ctica desobediente como artistas, curadores, directores de arte y acad\u00e9micos en un contexto incierto.

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Of untamed and indomitable histories and practices <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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De historias y pr\u00e1cticas indomables e ind\u00f3ciles<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tPaloma Etenberg y Guadalupe Lobeto (Argentina), Carolina Chacon (Colombia), Mariana Ortega y radio comunitaria La Voz Indi\u0301gena (Argentina),\nCatalina Urtubia (Chile)\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tIn this conversation, we reflected on the indomitable, the untamed, and dissatisfaction, as tools to activate exercises which make questioning the norm and the established possible. From questioning the systems and forms adopted by artistic practices, we delved into feminist, collective, and disobedient strategies, and imaginaries, for the creation of worlds that adjust to our desires.\u00a0<\/b><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tEn esta conversaci\u00f3n, se reflexion\u00f3 sobre lo indomable, lo ind\u00f3cil y la insatisfacci\u00f3n, como herramientas para activar ejercicios que hagan posible cuestionar la norma y lo establecido. Desde la interpelaci\u00f3n a los sistemas y las formas que adoptan las pr\u00e1cticas art\u00edsticas, se profundizar\u00e1 las estrategias e imaginarios feministas, colectivos y desobedientes, para la creaci\u00f3n de mundos que se ajusten a nuestros deseos.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

WORKING DISOBEDIENCE FROM LATIN AMERICA Timed to take place during February 2022, the first structure of\u00a0Inhabiting Spaces (link to this project),\u00a0\u2018Working Disobedience from Latin America\u2019,\u00a0was an international encounter organised in collaboration with Working Disobedience Platform. This involved online and offline conversations and performances, featuring 35 participants working on Latin-American art and cultures.\u00a0This part of the […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-207","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/latinelephant.org\/InhabitingSpaces\/wp-json\/wp\/v2\/pages\/207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latinelephant.org\/InhabitingSpaces\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/latinelephant.org\/InhabitingSpaces\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/latinelephant.org\/InhabitingSpaces\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/latinelephant.org\/InhabitingSpaces\/wp-json\/wp\/v2\/comments?post=207"}],"version-history":[{"count":232,"href":"https:\/\/latinelephant.org\/InhabitingSpaces\/wp-json\/wp\/v2\/pages\/207\/revisions"}],"predecessor-version":[{"id":1069,"href":"https:\/\/latinelephant.org\/InhabitingSpaces\/wp-json\/wp\/v2\/pages\/207\/revisions\/1069"}],"wp:attachment":[{"href":"https:\/\/latinelephant.org\/InhabitingSpaces\/wp-json\/wp\/v2\/media?parent=207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}